The Flog

Preparing for Berlin with the Berlin-Paris galleries exchange.

In a few days, I will be in the German capital working once again for Sleek Magazine during Fashion Week.

One of the events I am really excited about is the second edition of Berlin-Paris – an exchange between galleries from these two cities. And this year, I will be able to get a feel at both destinations!

From January 15th to the 23rd, 14 Parisian spaces will present work in Berlin, then, from January 29th to February 6th, the Berliner galleries will take position inside the spaces of their French partners. I love initiatives that combine discovering new/foreign spaces and artists through physical exchanges with an artistic dialogue and questioning. To me, this is a step further than the typical art fair – where one city would welcome the work of remote galleries and artists. So the question remains, does a work of art change its message/aura depending on the context it is presented?

Participating spaces are:
Johann König and jousse entreprise, Neu and Balice Hertling, Mehdi Chouakri et Galerie 1900-2000, Croy Nielsen and Marcelle Alix, Wentrup and Emmanuel Perrotin, Konrad Fischer and Nelson Freeman, Galerie Kamm and Gaudel de Stampa, Chert and Carlos Cardenas, carlier | gebauer with Michel Rein and Natalie Seroussi, Esther Schipper and Nathalie Obadia, Gregor Podnar et schleicher+lange, neugerriemschneider and Kamel Mennour, Sommer & Kohl and Denise René, rive gauche.

Niels Trannois, L’heure du thé n’est plus le pivot de la journée, 2009, oil on wood, 83 x 118 cm. Via Niels Trannois.

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Jordan Wolfson, Con Leche, video still, 2009, video projection, ca. 20 min, ed. 5 + 2 AP. Via jousse entreprise, Paris.

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Ernesto Sartori, Le baiser de la mort (the kiss of death), 2009, glycero paint and colouring agents on wood, 100 x 145 cm. Via Marcelle Alix, Paris.

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Isabelle Cornaro, Paysage avec Poussin et témoins oculaires (Landscape with Poussin and Eyewitnesses), 2008, Various objects, pedestals and plywood panels. Dimensions variable. Via Balice Hertling, Paris.

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Laurent Montaron, Untitled, 2007, installation (transparency 6×7, projector, industrial fan). Via galerie schleicher+lange, Paris.

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Allison Schulnik for Grizzly Bear.

Los Angeles based artist Allison Schulnik collaborated with Grizzly Bear. The 4 minute and 30 second stop-motion animated piece was meticulously crafted out of clay by the artist, and uses the beloved Hobo Clown character oftentimes seen in her paintings.

Tip via Mark Moore Gallery Blog.

The artist will have a solo exhibition with the gallery at the beginning of 2010, and I sincerely can’t wait to see more of her work.

See more in the archive.

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The artist in her studio, shot by Michael Underwood in February 2009.

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Long Hair Hobo #2, 2008, [detail] oil on canvas, 84 x 68 inches. Image via Schulnik’s website.

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Berlin and Prague, Inquiries.

On Sunday, The Flog Berlin will be a month old, yet I feel like celebrating earlier. I love this city and I feel so fortunate to be here, right now, and to be able to document these times. In the upcoming weeks, I will be adding new studio visits I made with fantastic artists working in the city. If you think that someone should appear on this site, please contact me.

Also, I will be in Prague for a short week next week and I would love to hear your recommendations on spaces to visit and artists to meet. I haven’t been to Prague in more than 10 years. Things will have certainly changed. And I won’t have to change my money. I am curious to see how this effected the city and its people.

Edit. Thank you Martin and Anouk for the wonderful tips.

Dell Stewart, from the series Berlin Woods. Via the artist’s website.

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Shepard Fairey x Arkitip x Alife.

Let’s make this a crossed post between Los Angeles and Berlin.

Shepard Fairey has been the focus of the news outlets for a while now. A few days ago, the man made the headlines following up on the charges of vandalism by the Boston Police having been dropped. Cynically enough, Shepard was arrested on his way to the opening of his first museum retrospective at the Institute of Contemporary Art of Boston in February (which runs until August 16th). This comes after the inclusion of the Obama Hope portrait into the collection of The National Portrait Gallery and the related copyright infringement. And, despite the juridical clutter, Fairey will soon be represented by Deitch Projects in NY. In short, the man knows how to stay in people’s brains.

As I was making the rounds on Torstrasse yesterday, I saw that Fairey was having a show at Merry Karnowsky Gallery in Berlin. The doors were kept closed until the opening for a better crowded evening effect, so I went along and didn’t come back.

Today, I received the press release for Fairey’s upcoming solo exhibition in Los Angeles at the Alife Presents space. Unlike the Berlin show, which only features prints, the LA event will include a new site specific installation at the onsite gallery location. In compliment to the installation, Shepard has designed a 14 x 48 ft. billboard directly above the gallery which will be on view for one month. The exhibition opens on June 19th.

Arkitip is releasing a special Fairey issue marking the 20 years anniversary of Shepard’s seminal ‘Obey’ campaign. Shepard has not been a guest of Arkitip magazine since issue edition No. 0003 so the guys are putting together quite a fine issue to celebrate.

Packaged with each issue edition is one Shepard Fairey 7.5 x 10 in. silk screen print, designed and printed specifically for this issue edition. Each print is signed by the artist, all packaged neatly in a custom designed box produced exclusively for this issue edition of Arkitip by Incase. I am thinking that this box will look as sharp and slick as this one, and this one, and will sold out fast.

In short, keep your Obey memorabilia close by. You will want to resell them in about ten to twenty years.

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Imi Knoebel in Berlin with VernissageTV.

VernissageTV for blip.tv, Berlin, May 22, 2009.

Imi Knoebel is having two solo exhibitions in Berlin: Zu Hilfe, zu Hilfe… at the Neue Nationalgalerie (May 23 – August 9, 2009), and Ich Nicht (Not Me), New Works at the Deutsche Guggenheim (May 23 – June 26, 2009).

Screening at the Temporare Kunsthalle with Vito Acconci.

Vito Acconci for Vice TV. Episode 1/6.

On the 27th, the Temporäre Kunsthalle will present an evening of film screening featuring works by Vito Acconci, Patty Chang, Manuel Graf, Mark Leckey, Gordon Matta-Clark, Bruce Nauman and Aaron Young. The event starts at 7.30 pm.

The current exhibition, Katharina Gross: Shadowbox, is on view until June 14th.

Installation shot, Katharina Gross. Via the TK website.

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Wounded Lion at the Echo.

Wounded Lion is playing tonight at the Echo. I caught the lads a while back at High Energy Constructs celebrating the joyous decadence of a Halloween night, I am not sure when that was.. 2006?

Then today while browsing around, I found the equally decadent music video that Brian Bress created for the band. I would love to see these guys perform tonight in a hallucinant show of yellow duck tape, stripes and masks.

During the whole month of July Jail Weddings is having a Monday night residency at the echo and this week, Wounded Lion is playing as their guest.

Jail Weddings with:
Wounded Lion
Victim Vision
The Guilty Hearts

Doors at 8:30pm / FREE / 21+

Mark also your calendar for another performance of the band at HEC on Friday August 8th.

** Update **

I just received the following announcement from Mores McWreath:

Wednesday, July 9 at 8:30pm
Screening @Eighteen-Thirty (On the rooftop of 1830 Sunset Blvd (at Glendale) LA, CA 90026)
$5 at the door

Short films by Robert Becraft, Brian Bress, Nate Luce, Mores McWreath and Kelly Sears
and
Untitled play for 5 voices by Darin Klein
Starring David LeBarron, Zackary Drucker, Ian MacKinnon, Daniela Sea and Martin Zungo.
With Gregory Barnett as the go-go dancer with a heart of gold

Visual projections by Charles Herman-Wurmfeld. Music by Matthew Lawton.

(All images stills from the music video of Wounded Lion, Pony People by Brian Bress.)

Watch it on YouTube.

Light & Wire Gallery opens inaugural exhibition.

Light & Wire Gallery is a new and compelling curatorial project between Gladys Hernando and Jessica Minckley. I think that this project is a refreshing necessity in the landscape that the LA art world has become. The city is hungry for alternative, yet bright projects, and we need to engage in new dialogues about the state of the art production within this community. Which also means developing ideas outside of the borders.

With Light & Wire, Hernando and Minckley created a concept of a space using the web as its main premise and evolving beyond the restraining four concrete walls. The space could easily evolve inside another neighborhood, or another city, even another country.

Light & Wire will be a project to look for. Check the website the first of every month for a new show to open.

The inaugural exhibition, FAULT LINE, is comprised of five Los Angeles-based artists: Ginny Cook, Nora Jean Petersen, Jill Spector, Brendan Threadgill, and Lisa Williamson.

(All images from Light & Wire Gallery. Left image: Left Ginny Cook, right Lisa Williamson. Middle: Foreground Nora Jean Petersen, middle Nora Jean Petersen and in background Lisa Williamson. Right image: Lisa Williamson.)

Presenting Glow Nuit Blanche in Santa Monica.

Taking place July 19th from 7 pm to 7 am, Glow is aiming to be(come?) the Los Angeles/Santa Monica response to the Parisian Nuit Blanche. Nuit Blanche translates to White Night in French and is employed when describing a night spent without sleeping).

From the press release:
__”Events will be conceived to take advantage of and address unusual times and spaces. Glow will present engaging art that spans the breadth of media. Artworks and events for Glow will be dispersed within the downtown/beach area, on and around the historic Santa Monica Pier.

Engaging art! Who doesn’t want that?! I am being cynical but I saw here and there a few promising things on the event’s website.

Machine Project will be participating with a few different installations/pieces, and will be working with poets Anthony McCann, Joshua Beckman, and Noelle Kocot-Tomblin, as well as artists Kamau Patton and Suzy Poling. Machine will add more info later.

The web radio collective Dublab will be teaming up with SASSAS (The Society for the Activation of Social Space through Art and Sound) (yes, badaSS) for the first-ever free SASSAS concert event, Tonalism will feature performances by Albert Ortega, Steve Roden, Unrecognizable Now and White Rainbow, video by Jessica Bronson, Cal Crawford, Carole Kim and Matt Sheridan and dublab soundsystem DJs Frosty, Carlos Nino, Hoseh, Jimmy Tamborello, Sam Cooper, Katie Byron, Ale and Part Time Punks DJ Michael Stock. Tonalism takes place in the historic Looff Hippodrome carousel building on the Santa Monica Pier.
Reads like something awesome.

I say mark the date for this intriguing night of LA promising to not be sleepy after 2 am!

(Left image, Jeff Cain, still from The SRI short film Radar Balloon. Right image Suzy Poling, from the project Wonderland of Decay / Imaginary Companions.)

David Horvitz Free Cookie Day at Ooga Booga.

This just in!

Following up with my previous post on David Horvitz, here is a delicious announcement from the artist:

__”I am consolidating money I made on my web-site to buy (really good) cookies and give them out for free. Please forward this and come by for a free cookie.

The happy fest will take place at Ooga Booga at 1 pm this Saturday until the reserve runs out.